Happy Birthday: A Short Story

Happy Birthday: A Short Story

I would like to thank S.A. McKenzie for her short story submission “Happy Birthday”, a touching true story based on the events of the week when her mother passed away.

S.A. McKenzie lives at the bottom of the world on one of the better-looking islands of New Zealand, in the earthquake-ravaged ruins of the city of Christchurch. After surviving more than 12,000 aftershocks she has become adept at estimating the exact magnitude of any quake based on the amount of coffee spilled. She mostly writes offbeat and blackly humorous science fiction and fantasy stories featuring time travelling rabbits, carnivorous unicorns and man-eating subway trains. While she was once a stepmother, she is currently childless and between cats. Find her online at www.hedgehogcircus.com

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Memory Box

The Memory Box – A Life In Letters: Short Story

I’d like to thank Alex Grey for her short story submission “The Memory Box – A Life In Letters” a touching tribute to the memories that make up a life gone by.

After a lifetime of writing technical non-fiction, Alex Grey is finally fulfilling her dream of writing poems and stories that engage the reader’s emotions. Her poems and short stories have been featured in a range of publications including Siren’s Call, Raconteur, Toasted Cheese, Short Edition and Little Old Lady Comedy.  Alex is married to her long-suffering partner of 36 years; she does not have any children but is “mum” to two fur babies – greyhounds Alex and Saffy. Her ingredients for contentment are narrowboating, greyhounds, singing and chocolate – it’s a sweet life.

‘The Memory Box’ is a fictionalised account of a remarkable life and is dedicated to Renia, Alex’s mother-in-law, whose courage and resilience has always been an inspiration.

Photo by Cristian Newman on Unsplash

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The Memory Box

The Memory Box – A Life In Letters

That day, the nursing home’s ever-cheerful Activities Leader told us to use a memory box to reminisce with our loved ones.

I groaned. I knew the Activities Leader meant well but chasing my mother’s memories had become a tedious scavenger hunt as dementia hid them in the distant recesses of her brain and destroyed the clues that might lead me to them.

“We’re going to use the alphabet to think about places that your loved ones may have visited. Remember, don’t ask them to remember…” she paused, waiting for our weak laughter, “just ask them to tell you a story about a place that begins with that letter. Take your time and see how far you get.

I sat at the table with my mother, her blue-veined hands tapping out a tune that only she could hear. She smiled at me vacantly. I knew she couldn’t remember who I was, though she seemed to acknowledge that I was benign, something simple and pleasant like the institutional tea set and the cheap biscuits. My mother devoured them greedily, like a little girl at a rival’s birthday party. The activity room had a dozen tables like ours, covered with cheerful chintz tablecloths and circled with residents and their visitors in various degrees of torpor.

My eyes met those of another woman sitting at our table; her mother slumped in a wheelchair, crooning. We smiled briefly and looked away. You’d think there would have been some spark of empathy between us, but the long goodbye we were enduring was too painful, too personal to be shared.

“OK!” trilled the Activities Leader. “Let’s make a start. As you complete each card, just drop it into their memory box.”

“Look, we’re going to put things in here today.” I said.

I rattled the vintage biscuit tin that we were using as her memory box. I remembered when she’d bought the tin as a souvenir of a rare sightseeing trip to London; we’d eaten the biscuits with ceremony every Sunday teatime for a month. The lid had a picture of the Tower of London and the crown jewels.  When it was empty, she kept her sewing things in there. Every time she reached for it to darn a jumper or patch a dress, she would rattle the tin and laugh,

“Will we find jewels in here today?”

I remember looking over her shoulder excitedly; she always hid a treasure in the tin for us – an amber bead, a tiny rag dolly or a fat toffee wrapped in shiny gold foil.

I shook my head; my mother’s sewing days were over. Today the faded and rusty-edged tin contained some trinkets and photographs from a previous memory exercise. On good days, we would take them out and she would nod, her wandering mind briefly meeting mine at a waypoint. On bad days, we drank tea and stared, the tin a bewilderment of junk between us.



I forced a smile and picked up the first alphabet card. My mother looked the other way, distracted by the conversations going on around her. I touched her hand and she frowned, unwilling to concentrate on the activity. She had always enjoyed people-watching, that was the best part of being in a nursing home, she told me, back when she had been aware of where she was.

“Look, mama.” I said, “Can you tell me a story about a place that begins with the letter A?”

She fingered the card, and then started talking. I wrote little notes on the cards – it helped me to keep track of her disjointed thoughts.

AUSTRIA: My uncle saved me from the slave farm, a miracle; I had a bath, when I was free of filth I was as light as an angel in heaven.

BELSEN: They measured me there, height, hands, head – I was judged – Aryan enough to live, but not enough to be free.

I sighed; she’d been telling us tales of her wartime enslavement all of our lives. We’d always moved her on, embarrassed, but now I was afraid that her mind would be trapped in that nightmare for the rest of her days.

“No mama, don’t think about the war, what about our lovely holidays?”

She looked rebellious, then carried on…

CHECKPOINT CHARLIE: We went to Poland with treats for my uncle hidden in the car seats; frightened, we willed the children not to betray our innocent smuggling.

DULWICH: We made our life there – our own house, large enough to last a lifetime, a green place to raise our children, respectable, rich, peaceful.

EALING: We all went there after the war; we spoke Polish and dreamed of the old country. Some sneered that it was just a new ghetto; stupid people – we had freedom, money, education. I went to college, met my Olek and made a new life.

I missed my father so much; he’d looked after Mama when she first became ill, back when we pretended that she was just tired, that it was normal to forget things from time to time. We told stories to make it alright, but it wasn’t. He died of grief and worry, leaving me with this responsibility.



I realised that I’d drifted off – I held up the F card…

FRANCE: A truckstop on the road to England; so scared; so alone, each girl so alone, together only in body and hope.

“Not the war, Mama, please…”

GHANA: Olek’s business trips, violence, distrust; I worried at home with the children; the money never came home, but Olek did. I was grateful.

HARRODS: The SALE on our doorstep, a proper sale – I bought a fur coat for a song; I was an aristocrat again.

That fur coat! I loathed it, but mama’s friends from the old country wore fur, it was what they did, a symbol of how they’re recovered from their refugee poverty. Who was I to tell her it was wrong when she was so proud? She made me try it on, said it would be a legacy for generations if I looked after it and kept it in the freezer. I cut it up and turned it into dog beds, horrible thing.

ITALY: Our first holiday after the war; We went to the eternal city. We went to St. Peter’s Square where the Holy Father prayed with us. I was so sick, I thought it was the food, but I had been blessed, with YOU my daughter, reaching for life.

Suddenly she reached for my face and looked straight into my eyes. A lump of hope leapt into my chest, I’d so longed for her to know me again.

“Mama!” I said

“Sandra.” She said, “Are you here to cut my hair?”

I turned back to the cards, trying to hide the tears in my eyes, the heat of my hope igniting my anger. She couldn’t help it. I gritted my teeth; she really couldn’t help it.

She grabbed the next card…

JAMAICA: Our first Caribbean cruise, the sun so hot, the island so green, the sky and sea so blue.

KRAKOW: We bought amber in the market, dined on Fois Gras in Wierzynek; toured the salt mines, grateful for our freedom; we bowed our heads and sobbed in Auschwitz.

We’d all sobbed there. I hadn’t wanted to go. I still wish that I’d never been there, but Mama said we must never forget. I will never forget. I hoped that she could let the camp’s silent eloquence slip away, but some experiences refused to sink into the pit of her lost memories.

LINZ: The slave market, sold into hard labour; I had a price, yet I was worth nothing.

MAGNIFICENT SEVEN: The undertaker said Olek should have a magnificent seven burial. I said yes, of course, Olek was a magnificent man, his ashes went to Brompton, where we had joined in marriage – I told him we’d meet again there.

NAZILAND: A plague of evil; they came to the house, took my father, shot him dead in the woods; my beloved daddy, his only crime was teaching the truth.

I willed her memory to reel back to happier days, before the war destroyed her childhood, even if meant that her memory of my childhood would be destroyed too.

ORATORY: Brompton, where we married; where we ate Polish doughnuts filled with rich plum curd.

POZNAN: Home with daddy and my beautiful mother; they were tall, like me. I remember servants.  My sisters played with their dollies, but I wanted to run with my brothers, mother frowned, girls don’t run; daddy laughed. It was always summer in the sunshine of his smile.

QATAR: Olek’s business went international; so glamorous; we sipped vodka in our expat compound and forgot the world.

RUSSIA: Betrayal – they destroyed the Third Reich for you, but we paid the price; the bear steals babies in the night, unseen, you didn’t know?

SEVEN SEAS: The children left home; we cruised the world. Oh, the on-board buffets, food 24 hours a day.

TULSE HILL: Olek left his soldiering behind and became an architect. How hard he worked – apprentice, partner, owner – his business was a lifeline and a legacy for our children.

UNIVERSITY: Daddy said I was too clever to be a girl; after the war, welcomed me, I became a draughtswoman, I became someone.

VICTORIA MANSIONS NURSING HOME: They said I wasn’t safe at home, I pleaded with mother to let me stay, but they took me away. They are kind here, servants bring my tea, mother stands by the desk and watches them. I clean my plate like a good girl.



I let go of a breath that I hadn’t realised I’d been holding. Moving mama into the home had been the hardest thing I’d ever done. At first, she knew where she was, visits were difficult as her eyes accused me, but we were past that now.

“You’re almost there,” said the Activities Leader.

Her voice made me jump. I had been lost in my thoughts, but I felt a touch of satisfaction when I saw how far we’d come. The other old woman at our table was fast asleep in her wheelchair; her daughter had vanished – I could hardly blame her.

I took a deep breath, willing the last of the alphabet to pass quickly.

WARSAW: We went to the old town, it was good as new, as if the war had never been, as if the past had never been torn from the future. We drank coffee in the old market square and laughed.

I flipped the X card over quickly, but mama grabbed my wrist.

XOCHIMILICO: Our first cheap package holiday to Mexico. I never knew so much colour could exist; travel, holidays, it was freedom beyond imagination.

I laughed, she was full of surprises, but I knew from her photo albums that this memory was real, unlike some of her more colourful fictions.

YESHAK: A saint’s school for my children. I wore my fur coat to the school gates so they would know we had money, that my children were not the spawn of poor immigrants; that my children belonged in England.

ZAKOPANE: My uncle’s farm in the lovely mountains; I am there now, skipping with the dogs, mother frowns, girls don’t run, but daddy smiles….

My mother dropped the last card into the box, her transparent skin luminous with joy as her face was lit by sunshine from another time, another place.

The old biscuit tin bulged with cards; her jagged memories captured by my spiky handwriting – her life in letters. Her remarkable life in letters. I kissed her forehead, promised I’d see her next week. Her carers wheeled her to the dining hall; she was already asking about pudding; she’d always had a sweet tooth.

***

To this day, I do not know who she was smiling for when she put that last card in the box.  Maybe it doesn’t matter; I know that my last smile was for her, my beloved mother…



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Mum Life Stories: Micro-Fiction Volume 1, BUY NOW!

Mum Life Stories: Micro-Fiction Volume 1, BUY NOW!

Today is the day! The day time itself stood still with bated breath, anticipating the greatest moment in history. The day every mother and child has yearned for throughout the centuries. The day we are marvelously blessed with the accumulation of all our hopes and dreams wrapped up in a stunning (and superbly designed) ode to Mothers everywhere. The day that will go down in Wikipedia as the greatest moment of all time – greater than the construction of the pyramids, the writing of the constitution, the end of world hunger (yet to happen), and the liberation of chickens (free-range all the way!) – the day that the greatest book on earth was launched for sale. The book entitled ‘Mum Life Stories: Micro-Fiction, Volume One.’

Too much? You’re probably right, but within the exclusive world of the Mum Life Stories Community, this release deserves as grand an entrance as any writer can conjure up. It truly is the culmination of 2 and a half years of consistent passion and dedication to an online presence that lays tribute to all the amazing mothers out there, who have influenced us and made an impact on our lives. There is nothing ordinary about the life of a Mother (and yes I use a capital letter where there shouldn’t be one, because it deserves one) or the stories that shine through from a life lived in complete devotement to one’s progeny. And these stories, real or imagined, make for a fantastic read!

So it is with great excitement and without further ado (yes ado is the correct word as Adieu means goodbye) that I present to you the very first volume of the Mum Life Stories: Micro-Fiction anthology.

Mum Life Stories: Micro-Fiction, Volume One

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Anthology

Anthology Release Date

I’m very excited to announce that after weeks and weeks of editing, formatting and creating, the very first Mum Life Stories Anthology is done and ready to be released. My fingers are still tingling from a copious amount of typing and I am feeling that adrenalin rush that comes from accomplishing an end goal, mixed with a little anxiety at all the thoughts rushing through my brain. Did I do it right? I hope I didn’t miss anything. Will people like it? What if no one does? Will people buy it? Will anyone do a bad review? Is the release date too soon? Do I know enough about marketing to get eyes on it? etc etc. Not sure if any of you know this (or if it isn’t half obvious), but this is the very first book I have published and I am more than a little nervous about it.

Please note, the featured image is just a mock-up, the anthology will be a paperback, not a hardcover. It looks pretty good as a hardcover though, I must say!

MLS Anthology
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Anthology Cover Art

Anthology Cover Art

Who’s excited for the release of our very first Mum Life Stories anthology? I know I am. If all goes well it could be released as early as January, but there is a lot of work to do till then.

I’ve began the process of compiling all the wonderful stories into a masterful book that not only reads inspiration but looks it as well. I’ve been creating the cover art and want to get your opinion, since many of you either have stories in the anthology or are looking forward to reading them all. 

Please take a look at the following 3 covers and let me know what you think of them and which one you’d like to see as the cover for our first anthology.

Cover Art #1

This cover is based on the Mum Life Stories website, the photo is the same photo that is on our front page and of course the title and slogan are the same. Just quietly, I think this one is my favourite.

Anthology cover draft 1

Photo by Derek Thomson on Unsplash

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Echo Dot – (3rd Gen) Smart Speaker with Alexa

Photo credit Lazar Gugleta on Unsplash


Cover Art #2

This one is sweet but I wasn’t sure if people might mistake it as an anthology of stories about pregnancy.

Anthology cover draft 2

Photo credit Suhyeon Choi on Unsplash


Going Short book cover

Going Short: An Invitation to Flash Fiction by Nancy Stohlman


Cover Art #3

I love the colours of this one. I’ve removed the slogan ‘Every Life Story Begins With A Mum’ but of course can include it or remove it from any of the covers.

Anthology cover draft 3

Photo credit Marcelo Silva on Unsplash


Thoughts

Let me know in the comments section below if you have any thoughts on any of these covers, i.e. would you like to see the slogan on there, or not? Should I include the number of stories? Should I include my name as the editor or compiler, etc? It would be nice to have my name there but not at all necessary as I do not want to take anything away from all the very talented writers who’s stories made this anthology possible. The book will be available through Amazon and all writers names will be in the description as well as in the book of course. 

Thanks

Thank you for reading this blog. If you’d like to submit a story for consideration of publication, please visit our submissions page. 

Sign up HERE, or fill in the form below if you’d like to receive a notification when the anthology is due to be released. You will also be added to our email list and receive all the latest news, stories and promos (including giveaways and competitions) as well as a FREE Ebook exclusive to our email subscribers.

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Accomplish more IN a fraction of the time

The pace and intensity of our lives, both at work and at home, leave many of us feeling like a person riding a frantically galloping horse. Our day-to-day incessant busyness — too much to do and not enough time.

With this ebook you will learn to approach your days in another way, reducing stress and getting results through prioritizing, leveraging and focus!

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Going Short by Nancy Stohlman: A Mum Life Success Story

I must say I’m very excited about this particular Mum Life Success Story. I’ve had the pleasure of featuring some truly beautiful, amazing and inspiring Mums through these Mum Life Success Stories and each one of them has had a unique and special story to tell, but never have I featured someone as well-known and accomplished as Nancy Stohlman.

I have to admit that when I received an email from her publicity manager, about promoting her new book Going Short: An Invitation to Flash Fiction I didn’t actually know who she was. That is due more to my lack of time to read and search out great authors (because I’m busy with work, family and this blog) than it is about Nancy’s reputation. Once I googled her name, and announced the upcoming interview on twitter etc, I realised that Nancy was fastly becoming a household name.

After just a little research I discovered that Nancy was not only a talented performer, writer and professor, but that she was juggling it all with motherhood and so naturally, I had to request an interview for the next ‘Mum Life Success Story’ feature. Nancy happily obliged and answered all my probing questions about life, success and family and how she navigates it all. I was truly inspired and knew without a doubt that all of you would be inspired too. If by some off-chance you don’t know who Nancy Stolman is, let’s start with a bit of backstory direct from her publicity manager.

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Who is Nancy Stohlman?

Nancy Stohlman

Nancy Stohlman is the author of four books of flash fiction including Madam Velvet’s Cabaret of Oddities (a finalist for a 2019 Colorado Book Award), The Vixen Scream and Other Bible Stories (2014), and The Monster Opera (2013). She is the creator of The F-bomb Flash Fiction Reading Series and FlashNano in November. Her work has been anthologized in the W.W. Norton New Micro: Exceptionally Short Fiction, Macmillan’s The Practice of Fiction, and The Best Small Fictions 2019. Her craft book, Going Short: An Invitation to Flash Fiction, is forthcoming from Ad Hoc Fiction in 2020. She teaches writing and rhetoric at the University of Colorado Boulder.

When she is not writing flash fiction she straps on stilettos and becomes the lead
singer of the lounge metal jazz trio Kinky Mink.  She lives in Denver Colorado and dreams of one day becoming a pirate.

Going Short: An Invitation to Flash Fiction

Going Short: An Invitation to Flash Fiction is Nancy’s latest contribution to the world of literature. Writer and Teacher Kathy Fish describes it as “The definitive, and appropriately concise book on the flash fiction form”. I have read some of the book myself and I can say Kathy is right, If you’re a writer (as many of my readers are) or want to start writing, Going Short: An Invitation to Flash Fiction is a resource you want to have on your bookshelf.


Mum Life Success Story

With Nancy being the seasoned writer that she is and needing no help from me to tell her story, I decided to publish this feature in interview format rather than the story form I usually employ. First I asked Nancy to tell us a little bit about her family.

Tell us a little about your family?

I have two kids—Maiya is 22 and just got her first apartment; Felix is 15 and just got his learner’s permit (yikes!). My partner Nick and I have been together almost a dozen years. We’re all creatives: Nick is a classical pianist and Maiya is a visual artist, so I’m proud to have passed down a family value of artistry. My own parents were also creative; I remember musical jam sessions, a lot of clowning in my household growing up.

When did your love for writing begin?

I remember I was 10 years old on the bleachers at a soccer game when I announced I was going to become an author. I was a voracious reader, of course. I grew up on military bases overseas, so books were my constant friends through all the moving and the various cultural and language barriers. After my author announcement my mother let me use her electric typewriter and I wrote a musical: Superman, The Musical (ala Christopher Reeve). I felt so important as I sat there clicking the keys, feeding in the paper. I don’t know what happened to the musical, but I still feel the magic when I sit down to write.

What inspired you to write your upcoming publication ‘Going Short’?

I was inspired to write Going Short about 10 years ago, when students and fellow writers kept asking me to recommend flash fiction craft books. I didn’t know what to recommend—there were almost no craft books aimed at this growing genre (nor by women). So I decided to take it on myself. I thought it would be easy, something I could write in a year or two. Ha. It took me almost 8 years! But I’m extremely proud of the result—I hope this book becomes a friend to the writers and readers who fall in love with flash fiction.

Are there any major obstacles you’ve had to overcome to get where you are now?

Oh yes. Self doubt. Fear. Creative deserts. Jealousy. Self-sabotage. It’s not easy to go for your dreams. There’s so much risk. Every step you think you might be crazy. Every step you expose yourself to…all of it. Not everyone is rooting for you, so you have to cheer yourself on no matter what. It’s not always easy. It takes courage and bravery, not just one time but every time. Over and over. So my challenge is to reach deeper and keep finding that courage. It’s either that or give up—which keeps me motivated on the hard days.

Are there any funny, intense, or inspiring stories you can tell us about your experiences in writing and/or publishing?

For years I fantasized of spending “three weeks on an island all by myself just writing.” Sounds magical, right? Then, last year, I decided to do it. I was already in Italy co-hosting a flash fiction retreat (so amazing), and when it was over I found a super remote island in the Adriatic, rented a renovated wine cellar for $150 a week, and went on my own sabbatical. And I wrote every day. Every blissful day. I mean, I woke up, I wrote, I walked to get coffee, I wrote. I ate gelato, I walked to the empty beach. I wrote. It was magical, and I discovered what I call Holy Boredom. And because of it, I finished this book.

What would you say is your biggest challenge with balancing family life with your career? How do you find balance (if you do)?

Funny, but I think this question is part of the challenge—if I were a man I would likely never be asked this question. Because I’m a woman, there’s an expectation (even from myself) that I can and will do it all: be a loving mother, chef, teacher, partner, friend, housekeeper, nurture all my relationships…oh, AND write books, teach on campus, run retreats, and attempt to dream my own inspiration into being. And, because all women are amazing, we do it. All of it. But I like to envision a world where men are asked this question, too.

The short answer of how I balance it all? I fail. I succeed. Then I fail. I do my best. And sometimes I schedule a weekend to myself and that’s important, too.

How does your experience as a Mother help with your writing and vice versa?

Once I had kids I knew the luxury of waiting for the muse, was over. If I really wanted to be a writer, I had to begin now—there was a little person watching me. So I wrote during nap time and in the evenings after bedtimes. I mean, I wrote entire books during nap times, during pre-school. Later I wrote on trains and buses while commuting to campus. I learned to seize THIS moment, imperfect but available, because the perfect moment is just an illusion. So in a very real way my children forced me to get serious and make it happen.

And writing makes me a better mother, too, because I’m honoring that creative part of myself. I’m more present for my family when I’m present for myself. Put on your own oxygen mask before you help others.

What advice can you give to other women (mothers in particular) wanting to chase their dreams of becoming a professional writer?

Just begin. The perfect time, the perfect location, the perfect idea—you could be waiting forever. The real day-to-day of writing is messy—there is nothing idealized about it. And yet, allowing yourself to be creative is amazingly, imperfectly perfect. On a good day, it’s still just as magical to me as that first time at my mom’s electric typewriter.

Plus, the very best thing you can do for your children is to show them what it looks like to not give up on yourself. They will be watching and learning from your actions far more than from your words.


More Mum Life Success Stories…

If you’d like to read more Mum Life Success Stories, simply click on one of the titles below.


Thanks

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